Anna May Wong's Certificate of Identity, August 18, 1924, National Archives at San Francisco.
She was born Wong Liu Tsong in 1905 in Los Angeles to a Cantonese-American family that had lived in America since at least 1855. However, being an American didn’t matter in a time when people of Chinese descent were being heavily legislated against. Beginning in 1909, any people of Chinese descent entering or residing in the US, regardless of the country of their birth, had to carry a Certificate of Identity with them at all times. Even at the peak of her fame, Wong still had to carry papers like the one above to prove she was allowed to be here. Read the rest of the article.
Two men dancing, Harlem, 1920s.
According to George Chauncey’s eponymous Gay New York, the Harlem Renaissance of the ’20s provided an opportunity for gay men to create their own social and cultural spaces within the burgeoning nightlife in the neighborhood.
The Black Power Mixtape 1967-1975 (2011), Göran Hugo Olsson
You heard it right folks, the FBI considered free breakfasts for poor children to be the most dangerous internal threat to the country. Literally the kind of thing Jesus would do was the most dangerous threat to the country.
It’s not surprising, considering Hoover was a vile racist piece of shit who lost sleep at night thinking about poor people not being miserable or dead.
Now HE is a role-model
A leader is best when people barely know he exists, when his work is done, his aim fulfilled, they will say: we did it ourselves.
they criticize him because they aren’t brave enough to emulate him.
Wow, this is awesome!
So, you know, you mention the Tupamaros as a “robin hood organization” and don’t mention that they were a Marxist group, because that word is scary to liberals.
And the post kinda glosses over that the country was at the time, under a military Junta.
Jose Mujica is so much better than this photoset
Re-reblogging for the above.
Real leadership, comrades.
Banished vividly recounts the forgotten history of racial cleansing in America when thousands of African Americas were driven from their homes and communities by violent racist mobs in the late 19th and early 20th centuries. In fear for their lives, black people left these towns and never returned to reclaim their property. The film places these events in the context of present day race relations, by following three concrete cases of towns that remain all-white to this day (Forsyth County, Georgia; Pierce City, Missouri; Harrison, Arkansas).
Banished raises the larger questions — will the United States ever make meaningful reparations for the human rights abuses suffered, then and now, against its African American citizens? Can reconciliation between the races be possible without them? Banished follows a twisting trail through yellowed newspaper archives registries of deeds, photos from treasured family albums and dimly recalled stories of elders who lived through those traumatic events.
The film features black families determined to go to any length to reconstruct their families past and gain some justice for their ancestors and themselves. It also interviews dedicated, local, newspaper reporters who braved community opposition to research the banishments in-depth and force their readers to confront their towns past and present. [film link]